Odds & Ends: A Green Pillar Candle

I am warming my stiffened fingers on the green pillar candle on my desk.  Forest green.    I bought it from Robert Sayle’s.  The flame is dancing on the sloped ceiling of my attic room.  The East Anglian wind is rattling my window.  I am wearing flannel pyjamas, two pairs of socks, white Aran jumper, dressing gown, woolly hat and, as soon as I stop scribbling and get into bed, I’ll put on my gloves, and my feet will search for the hot water bottle.  I reach for the jar of smooth peanut butter next to my Concise Oxford and eat a spoonful.  My  landlady says it’s wasteful to have the radiators so hot, they scorch.  She has had the water temperature in the bathroom turned down, because it’s pointless having water so hot, you have to dilute it with cold.  She tells me this is all character-building – something she clearly thinks I need.  I can tell by the way she says, “You have a healthy appetite.  If my children ate as much as you do, I wouldn’t worry about them” whenever she watches me during dinner.  Not that I ever have dinner, except on Mondays, when there is no Evensong at King’s, and I am home from school in time for 6 p.m.  The other evenings, I am not back till 6.45, by the time I cycle up the hill.  My friends’ landladies keep their suppers in the oven for them but since my landlady has never offered this as an option, I don’t want to cause a fuss.  Hence, the jar of smooth peanut butter and teaspoon, on my desk.  I have no record or cassette player, and I need music like I need air to breathe.  King’s College Chapel provides a nightly dose of divine musical nourishment to my soul, free of charge, even though it clashes with the meal intended for my body.  I sigh and watch my breath cloud the air.  I scoop another mound of peanut butter, and let its saltiness melt in my mouth.   I don’t want to complain to the school accommodation officer.  Perhaps there is nothing unusual about my landlady, and all the English are like that.  When in Rome, do as the Romans do.  Besides, I am having far too much fun to mind the discomfort.  Someday, I am going to be a writer, and writers all go to bed hungry and live in cold attics when they are young.  I feel like a character from La Bohème.

I am nineteen, and have just left home for the first time.  The first week was a nasty culture shock for me.  I am half English but grew up on what the English refer to as the Continent.  I bought a hairdryer and washed my hair as soon as I got back home.  Imagine my shock when I opened the box and was confronted with a hairdryer with a lead – but no plug.  I thought my landlady was teasing me when she assured me that was normal in England, and that you had to buy the plug separately, and wire it yourself.  Then, I have never before seen a bathroom sink with separate spouts for hot and cold water.    You have to swing your hands from one to the other, alternating between scorching your skin and shocking it with cold.  On top of the sadistic plumbing, there’s the daily subcutaneous injections of sarcasm I get from the English about my accent.  “Oh, that’s so American!” they mutter whenever I speak.  Yes, I am half English but the British school abroad was more expensive than the American school, and you needed to wear a uniform made of a grey skirt and a cerise-burgundy blazer.  My mother told me the story of Paul Revere, when I was a child, so  I wouldn’t have been caught dead looking like a Redcoat.  So, in the first few weeks, when the paper-cut comments about my accent were particularly deep, I often sat in my room, crying with anger and despair.  Now, I know there is only one thing to do, and that is to beat them at their own game.  I listen to them speak, and try and memorise the tight, chesty and imperceptibly slurred way they pronounce their words, as though they are discarding unwanted food on their plates.  Once alone in my room, I try and produce as close as possible an imitation.  I keep telling myself that one day, they will look up to me!

At night, before bed, I often take out my bicycle, a silver-grey Raleigh.  I cycle past Fitzwilliam College and New Hall, acquiring speed just as the road dips downhill.  A few more vigorous pushes on the pedals, and I am whizzing past Magdalene College, singing I Have Confidence in Me or My Favorite Things, from The Sound of Music, to myself.  I have never seen the film, but my mother says it’s one of the best musicals.  I came across the soundtrack in the music shop on Hobson Street, and bought it.  My landlady sometimes allows me to use her record player and, as it’s the only record I own here, I play it all the time, and have learnt a few of the songs by heart.  With any luck, the traffic lights on the corner with St John’s are green, so I fly into Trinity Street, past Heffers – the best bookshop in the world.  They have a wonderful stationery department on Sidney Street, too.  In my first week, I saw two undergraduates, their gowns slung over their shoulders, standing outside, discussing Plato.  I pretended to be looking at the shop window, and listened.  A whole new world, waiting for me to explore it.  One I want to be a part of.  One of the undergraduates had blond hair cropped very short at the back, mop flopping over one eye, like Rupert Brooke.  Cambridge men are so handsome! I slow down on my bicycle as I see the spires of King’s College Chapel and Porter’s Lodge.  This is where I come when I am feeling deeply unhappy or wildly happy.  It is the place where I come to share my hopes and my dreams.  It is where, every afternoon, after class, I rush to be first in the queue, so that I can get my favourite seat – at the edge of the second row, on the right-hand side as you walk past the organ screen, next to the Choral Scholars.  I am quite smitten with the tall, curly-haired, mousy counter-tenor in the stalls across from me.  He sings like an angel.  I also regularly exchange looks with the tenor in the middle of the row, the one with mischievous green eyes and dark, tousled hair.  All the Choral Scholars know me by sight, by now, but none of them ever says hello to me after Evensong.  The tenor smiled at me, the other day.  I wonder what his name is.

I love everything about this city.  Everything here feels magical.  The architecture looks as though it has been plucked out of a fairy tale.  It is proud of its ancient stones which whisper stories of centuries of learning and ambitions.  The sky changes its mood with dramatic speed.  One moment, it is a vivid, Cyan blue.  The next, the wind blows lead grey clouds from the Fens, over land so flat you feel the horizon goes on for ever.  The Fens are an almost fluorescent green in contrast with the dark sky.  On that green,  jet black, glossy crows.  Their raucous conversation is as inseparable a part of Cambridge, for me, as the elms in Grantchester Meadows, the weeping willows that sway over the Cam, the music of Ralph Vaughan Williams, the haunting tune of Greensleeves, and the brimming sense of hope.  For me, this is a new world, a new life.  Anything is possible here.   It’s 1984.  I am nineteen.

*   *   *

I had coffee with a friend, in Notting Hill, today.  Afterwards, I went to browse in a hardware store. I came across a tall, green pillar candle.  Forest green.  When I was nineteen, I had one just like it, on my desk, in Cambridge.  I bought it and, this evening, lit it on my desk.  There is the face of a nineteen year-old girl grinning in its flame.  She is full of hope, and is inviting me to join her in the pursuit of her dreams, and the fulfilment of her many hopes.  I smile back at her.  She winks at me.

© Scribe Doll

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Words and Civilisation: A Smidgeon of Français

Say sidewalk, elevator or garbage, and the English will wince in disgust and mutter the almost unspeakable.  “That’s American,” they will remark before casting you out of Society for polluting the purity of Shakespeare’s tongue.  Using French, however, suggests to them a classy je ne sais quoi.

 

Still, here again, certain rules of etiquette apply.  The first thing to remember, when adding a dash of French to your English speech, is never, ever to pronounce it in a way so accurate, people could mistake you for an actual French person.  You need to coat the Gallic expressions with a slur à l’anglaise.  After all, a little knowledge is charming, but too much is viewed as rudely threatening (see George Mikes, How to Be an Alien).

 

In my student days, there was a coffee shop on the Green just by Durham Castle.  They served a summer drink which consisted of freshly squeezed lemon juice at the bottom of a tall glass, you then diluted to taste with iced water.  It was listed on the menu as citron pressé.  With a brand-new French degree in my pocket, I went there with my friends, and ordered the beverage in my best French accent, pursing my lips for a sexy “o”, and making my “r” so guttural, it vibrated.  I took care to stress the last vowel of both words.  The waitress looked apologetic, and said they did not have that on the menu.  My friends rolled their eyes and sent signals of disapproval in my direction.  I repeated my order, this time shifting the stress to the first syllables (“CItron PRESSé”), and only alluded to the “r”.  My drink was promptly served.

 

The second thing to bear in mind, is that it is generally not considered chic to use French in the way the French intended.  Thus, a double entendre does not actually exist in France.  What they have, is a discourse à double entente.  Also, across the Channel, une crèche is a Nativity.  So, unless you are planning on dressing up your toddlers as Mary, a shepherd or an ass, you had better, perhaps, drop them off at a nursery, and take your chances with the likelihood of your offspring sprouting branches.  Moreover, the anaemic stodge our  Soho cafés call baguette, brioche or croissant, bears little resemblance to the light, airy, fragrant creations you savour in Montmartre.

 

On the subject of food, those of us with Continental pretentions will wish our fellow-diners “Bon appétit!”  There is no English equivalent.  Partly because traditional English food is more sustenance than pleasure, and partly because our traditional English austerity considers the enjoyment of food a bit frivolous – but saying it in French somehow makes it acceptable.  Giving a dish a Gallic name raises its status.  Thus, cold leek and potato soup becomes more distinguished as a Vichyssoise, pancakes are more sophisticated as crêpes  and anything in batter tastes better en croûte.

 

For dinner, tonight, I plan to have potatoes en veston, baked en manteau d’argent*.

 

* Jacket potatoes baked in foil.

 

© Scribe Doll

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Theatre Review: “Man in the Middle”

Someone should coin the phrase “bandwagon play”.  Not that there is anything wrong with drawing a story from an item of current affairs fracas, and produce a piece of drama that makes history alongside History – as long as it actually makes history.  For that, it needs to be…

(To continue reading, please click on http://www.remotegoat.co.uk/review_view.php?uid=7967)

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Words and Civilisation: The Kiss X or the X Kiss?

Who was it, that first had the idea of putting an x by the signature, to symbolise a kiss?In every social missive we receive, be it an e-mail, a card, or a text message, our contact’s name is appended with an x.  Sometimes, the x brings a friend along; sometimes two.  At other times, there is a troika, or even an entire party, standing in a row.

 

How did x mutate from the signature of illiterate people, to a smack of the lips?

 

For years now, I have been trying to solve the riddle of the x etiquette, without success.  Do you put an x whenever – given physical proximity – you would apply an actual kiss?  A former boss of mine, a stern man of, shall we say, inexpressive emotional expression, once signed my birthday card, adding an x.  I stared at the incongruous symbol, fully aware of the fact that the possibility of a physical peck on my cheek from said boss could only take place in a universe manifested through absinthe laced with gin.  More recently, a literary agent I approached sent me a text message and added the x next to his signature.  I shuddered.

 

Then, of course, there is the eternal question: how many of these little blighters do we put, and when?

 

x = Easy.  One kiss on the cheek.

x x = Two kisses.  One on each cheek.

x x x = Three kisses.  One cheek, the other, then back to the first.  Russian style.  Or does the third steal a kiss on the lips? Perhaps we had better not go there.

x x x x = ?

x x x x x = ???

x x x x x x x x x x x x… Aaargh! Help!

 

That’s it.  Let teenagers and twenty-somethings study the numerology of the x.  I am going to ignore it from now on, and dispense with its services.  My signature does not need accessorizing.  It does look a little naked on its own, though.  That’s all right.  It’s just a withdrawal symptom.  I can do this.  😘

 

© ScribeDoll

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Double Standards: 7 Inconsistencies for the First Week of the Year

Saturday: The country is being squeezed by financial cuts.  Child poverty is rising sharply.  The rate of unemployment is high.  The cost of living is escalating while salaries are dropping.  Yet, last Saturday, a six-figure sum (I could not find the exact figure) was spent on the official New Year’s Eve fireworks, in London alone.  The expression “money going up in smoke” comes to mind.

Sunday: London Transport fares have risen by approximately 7% with the start of the year.  I understand that the Government considers this a fairer option than funding the increase with Taxpayer money.  What I do not understand, is – don’t commuters pay taxes? Aren’t they taxpayers?

Monday: Some blame our current economic mess on people borrowing money from the banks, which they are unable to repay.  I popped into my local bank branch just to ask them to print me out a statement, since the machine was out of order.  Totally, unsolicited, the personal banker informed me that I qualified for a loan… I held up my hand, gave her a dirty look and said, “Don’t even finish that sentence.”

Tuesday: We are told that it is wicked to waste food, and that the planet’s resources are depleted.  On London markets, they sell large bowls of fruit and vegetables for a mere £1.  Try saying that it’s far too much food for you, and ask if you can buy less.  The seller will inflict the whole lot of you.  Inevitably, you end up throwing much of it in the bin but you have been practically forced to waste food.  In my limited understanding of Economy, prices rise when an item is in short supply.  Since there appears to be such a surplus of bananas, apples, ginger, potatoes, etc. that they are sold for next to nothing, why are there people starving in so many parts of the world? Why aren’t the planet’s resources distributed more efficiently?

Wednesday: I met a lady in the park.  We got chatting about garden wildlife.  “I got rid of all the magpies,” she said.  “Nasty birds.  They eat the young of other birds.”

That is, indeed, harrowing cruelty.  Humans would never eat the young of other species.  Never would they serve up lamb, veal, suckling pig, or split cut the entrails of a pregnant fish to eat thousands of unborn fish (that’s caviar, to you and me).

Thursday: Adopting children in the UK is a gruelling, tortuous process.  All too often people over the age of forty are deemed too old to adopt.  Yet doctors liberally provide fertility treatment and IVF to women in their fifties and even sixties.

Friday: A lady saw me feeding crows in the park.  “Horrible birds,” she shuddered in disgust.  “They eat carrion.”

I was tempted to ask her how many weeks or even months she kept meat in her freezer before eating it – but engaging with stupidity seemed a foolish exercise.

The great Ivan Andreyevich Krylov, known as Russia’s La Fontaine, has a fable about a monkey who catches sight of her reflection in a mirror.  She nudges the bear.  “Look, my dear friend, at that muzzle! Look – what grimaces and contortions! I would die if I looked like that even a little!”

The bear suggests the monkey take a look at herself; but his counsel falls on deaf ears.

© Scribe Doll

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Odds & Ends: New Year’s Eve

When I was nine years old, and we were living in Nice, I would sit by the window, in my pyjamas, and watch the neighbours leave home to go to various New Year’s Eve festivities.  The men all wore black tie, and the women slunk and sparkled.  I gazed and sighed, with occasional interruptions by my mother ordering me to bed.  I visualised them dining in the carpeted, glittering rooms of the Hôtel Negresco, then sipping pink champagne, watching golden fireworks reflected in the night sea of the Baie des Anges.  Once in bed, I projected on the dark screen of my closed eyelids a film of my New Year’s Eves to come.  I carefully designed my evening gown, in midnight blue satin.  I imagined gliding down a palatial staircase on the arm of a dinner suit.  The contents of the dinner suit were a rough sketch of someone tall and skinny, and a wonderful dancer.  Someone very intelligent and very shy (my nine year-old self’s taste in men.)

 

I could not wait to grow up.

 

… Except that, by the time I did grow up, the fashion had changed and I felt rather short-changed.  Outside a few echelons of Society, beyond my immediate reach, New Year’s Eve party goers are now generally clad in ‘smart casual’ attire.  The women, at least, make a visible effort by donning aggressive-looking footwear and the odd sparkling shawl.  Men, however, go for the I-am-being-myself look (with apologies to well-groomed men – do come up and introduce yourselves, later.)

 

For several years now, I have been trying to infiltrate groups where formal dress on New Year’s Eve is a strict requirement, but without success.  Any tips? Go on, humour me.  Help make a girlish fantasy come true.

 

I love New Year’s Eve.  A new beginning.  A clean slate.  A page full of possibilities.

 

One of my favourite New Year’s Eve tasks, is to update my Filofax (yes, Filofax.)  I ponder over every name.  Has he/she been in touch in the past year? Has he/she returned my calls or responded to my e-mails? No? Then he/she gets omitted from the newly transcribed database.  All right, all right.  In some cases, I apply a two-year rule.  Why don’t I keep people’s details, just in case? In case of what? Bring on the broom; let’s sweep the house clean.  Fling open the doors and windows, and let new people in!

 

In parts of Rome, people used to throw old furniture over the balcony, down into the street.  They still set off loud firecrackers.  The more noise, the better, to boot the Old Year out.  They hang miniature broomsticks over their front doors, scacciaguai to keep the house clear of troubles.

 

31st December is also a time for New Year’s resolutions.  How I love writing those! I feel unstoppable and more than capable of keeping every resolution I write down on every line of an A4 sheet of paper.  There will be time enough to review my stamina and edit the list on 2nd January.  For now, everything is possible, including next New Year’s Eve perfect party.  A live orchestra, a roomful of dinner suits and evening dresses, including my own (I can’t decide between claret red and holly green), pink champagne in fine crystal flutes, fireworks dancing on gently rippling waters.  A Venetian palazzo would be the ideal setting for such a party.

 

Invitations welcome.

 

And, talking of resolutions, perhaps you might find a wee space for a request on my part.  If you enjoy my posts, perhaps you could consider slipping a compliment into the Comments section, or even just click on the ‘Like‘ star? (Some of you already do it, and ‘bless your hearts for it.)  Writing a blog is like walking on a deserted field with a sack of words over your shoulder.  A you walk, you take a handful of words, and toss it in the air, not knowing where any of them will land, or where the wind will carry them.  ScribeDoll exists thanks to you.  You make her real by reading her.  Every encouraging comment, or star will be like a flower suddenly sprouting from the ground where a word has landed.

 

I wish you all a perfectly happy New Year.  May 2012 bring you the Horn of Plenty, and allow you to stretch your talents and opportunities to the full.

 

© Scribe Doll

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Odds & Ends: Christmas Eve (Claws Sheathed – Promise!)

My Russian-Armenian grandmother celebrated on Christmas Eve.  That was when she served the special dinner, after which presents were unwrapped.  Christmas Eve was also full of mystery and magic.  It was when Gogol’s witch flew out on her broomstick, plucking the stars from the sky, and tucking them down her ample sleeves; when the devil tried to steal the moon by throwing a cloth sack over it, scorching his fingers in the process.

 

A night for telling fairy tales.

 

Christmas Day was the anticlimax, when we ate the leftovers and lounged around, watching MGM musicals on television.

 

As I grew up, my English half took over for a while, and Christmas Eve became the time for fussing and preparing for the Big Day.  A night for frantically peeling Brussels sprouts and parsnips before sealing them in freezer bags, ready to be cooked.

 

In recent years, I have worked out the perfect balance between my Eastern and my Western sides – I celebrate both Christmas Eve and Christmas Day.  For two days, I feast and make merry.  No, I do not feel guilty about enjoying copious amounts of delicious food.  My ancestors celebrated Christmas for twelve whole days.  That leaves me plenty of room to feel smug about my comparative frugality.

 

On Christmas Day, I like to be in the company of others.  The more, the merrier.  Friends are marginally preferable to family.  On Christmas Eve, on the other hand, I prefer a few hours of solitude, so that I can re-enter the magic world of my grandmother’s Christmases, undisturbed… Just as I am doing, this afternoon.

 

It is nearly three, and I am nearly ready.  The miniature Christmas tree on my desk is lit up with white fairy lights; the Advent candle flame is slowly burning into the number 24 stamped in gold on the red wax.  Next to me, a mug of hot chocolate – with a pinch of cayenne – and, on a plate, a large wedge of panettone.  The Radio 4 announcer is giving us the annual historical background to the Festival of Nine Lessons and Carols, which began in 1918.  Then, silence but for a brief, almost imperceptible cue from the organ.  I hold my breath and strain my ear.  Will the treble hit the first syllable, “Once in Royal David’s City” with confidence? Will he make it through the rest of the opening verse without faltering?

“… her little child.”

Good lad.  He did it.

 

I picture the darkening stained glass windows of King’s Chapel, where I have spent many an evening, and many a Christmas Eve, the flickering candle flames dancing on the faces of the choral scholars, the attentive frowns of the little boys, all eyes on conductor Stephen Cleobury.  The multicoloured sound of men’s and boys’ voices weaving through the air, rising up to the fan vaulting.

 

a lake of fiery goldOutside my window, the setting sun splashes a lake of fiery gold behind the black outline of the rooftops.  Within seconds, the gold has mutated into brush strokes of rose and apricot that spread across the sky.  On the black shape of the tree, in the garden, the inky silhouettes of two crows.  They await the signal.  As the sky darkens, they fly away, past the rooftops.  Once a year, on Christmas Eve, they are freed from the corvine bodies they inhabit the rest of the year.  The first crow turns into a handsome man with the proud looks of the Caucasus, and an aquiline nose.  He sings with a velvet voice, and dances with passion and grace.  The second crows is transformed into a woman so beautiful, no fairy tale can illustrate, nor pen describe.  Her eyes burn bright, like sun rays on obsidian.  She is a storyteller, and her tales bewitch all who listen.

There is no sign of the squirrels.  They, too, on Christmas Eve, turn into histrionic acrobats and spend the night feasting and leaping over a bonfire.

 

Night has thrown her cloak over London.  I pour myself a glass of mead.  The crows and squirrels will be tired after a whole night of revelry.  I must go to the  park, in the morning, and take them some Christmas breakfast.  Perhaps a wedge of panettone.

 

In the unlikely event you are reading this on 25th December, then I wish you a Merry, Happy, Cosy and Fun Christmas.

© Scribe Doll

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Words and Civilisation: Words of ‘Comfort’?!

You’ve just had a major disappointment, heartbreak or mishap; or you’re just having a bad time.  You’re feeling low, sad, upset or angry.  Whatever the reason, you’re basically in a lousy place, from which the view is – begging your pardon – crap.  You need a friendly ear, so you decide to blow off steam to a friend.  Your friend responds as follows:

 

 “Oh, well, never mind”

How dare they belittle the magnitude of your woe or even the magnitude – even if slightly disproportionate – of your reaction to it?

 

“C’est la vie”

What’s with the sudden French? Unless you’re Cary Grant addressing Deborah Kerr, chances are, you cannot pull this one off.  And even Cary Grant added “etc.” at the end of the remark, to send up the platitude of it.

 

“That’s life”

No kidding.  So glad you’ve told me, since I come from a different planet.  No, it doesn’t work in English, either, sorry.

 

“Aww… Would you like a cup of tea?”

Contrary to this three hundred year-old British belief, tea does not help.  A glass of Baileys, on the other hand…

 

“Oh, sorry to hear that.  By the way – did I tell you? – I’ve just bought a Picasso”

… And why is this supposed to make me feel better? Oh! Were you going to give the Picasso or – even better – its proceeds to me?

 

“How awful! The same thing happened to me… (follows an account the length of James Joyce’s Ulysses)

I don’t want to hear your story.  I want to talk about me!

 

“It’s a lot worse for some people”

At this moment I am the most important person on this planet and my problem is the worst in this solar system.

 

“Don’t worry, you’ll get over it.  You never know what’s just around the corner…”

You’re a psychic, now?

 

“Why don’t you ask so-and-so? Perhaps s/he can help you”

How generous of you to volunteer someone else’s help.  Or is this an exercise in delegating?

 

“Maybe it’s not as bad as you think”

Now, you’re doubting my judgement, on top of everything else?

 

… And the prize goes to:

 

“It could be worse”

Aaaaaaaaaargh!!!!!!!!!!

 

Just pass the jar of Nutella, and a teaspoon.  No, it doesn’t help the situation.  But it is comforting.  Yum!

 

© Scribe Doll

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Pet Hates: (Some) Christmas Cards

No, I am not one of those people who get grumpy, depressed or reclusive at this time of year.  I love, and always have loved, Yuletide.  No, I do not like to see tinsel and baubles adorning the shops in October.  From 1st December, however, I am willing to sleigh into the Christmas mood, with bells on.  I put orange and clementine peel on the radiator to scent the room; I burn pine needle essential oil; and I start drinking from bone china mugs painted with Christmas scenes featuring cats.  ‘tis the season to be cosy.  Starbucks gingerbread latte with extra ginger, hot ale with cinnamon, cardamom and honey, fir trees with white fairy lights, if we are very lucky – snow, Bing Crosby modulating “It’s beginning to look a lot like Christmas…” and – last, but by no means least – the unmistakeable, moonbeam sound of King’s College Choir singing my favourite carol, Noël Nouvelet.

 

Christmas cards.

 

There it is.  The sound of the sapphire skidding on the vinyl record.

 

During the season of love and goodwill towards our fellow creatures, few things can make you feel as un-special, as a Christmas card.  Tell the truth now.  How many Christmas cards do you receive, which reflect true effort – let alone care – on the part of the sender? Mostly, all you read in the card, is the one-size-fits-all platitude (such as Season’s Greetings – is the Season a person entitled to a grammatical possessive, now?).  All the sender has added in his/her own handwriting, is “To (your name)” at the top of the page, and his/her signature at the bottom.    It is about as personal and caring as a pair of socks that happens to have your first name initial on them.  You picture the sender frantically topping and tailing dozens of such impersonal cards, doing his or her annual social duty.  That’s right – you represent yet another obligation.  Your friend/relative/colleague has given you a card – what else do you want from them?  A personalised message?! Don’t you know how many more cards your friend/relative/colleague has to write?!

 

I never understand the point of giving cards to people you actually see during the Christmas season.  People hand over these envelopes, sometimes saying something pedestrian, such as “Christmas card” (just in case you assumed the envelope was full of bribe money).  What is exciting about people giving each other bits of paper with red-breast robins or Nativity scenes, which contain nothing noteworthy, when they could just speak the good wishes – live?

 

Another point of interest.  I wonder that no environmentalist group – to my knowledge – has ever devised a campaign to cut down Christmas cards to safeguard trees.  Just how many tons of paper are used on Christmas cards, every year? I can see some of you suppress a self-satisfied smile, and proudly announce that you use only recycled cards.  Congratulations! Never mind the energy used on recycling, and the ensuing pollution – at least, you’re recycling.

 

How about this for a Christmas resolution.  Perhaps, if we are pressed for time, we could dispatch fewer cards, but make the effort of adding a few handwritten lines to those we do send, to make the recipients feel we actually thought of them as we wrote the cards.  Otherwise, there is always the perfect, tree-friendly option – the e-card.

 

© Scribe Doll

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New Header Image

Hi, Y’all.  I have just changed my header image on the Home Page.  I hope you like it.

Photo of Corby Nero by kind permission of Bishop’s Park Corvus Corvae Community.

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